![acid pro 4.0 reverse acid pro 4.0 reverse](https://m.media-amazon.com/images/I/51PNQEREAoL._SS400_.jpg)
When you?re making your own music either commercially or as a hobby sooner or later you?ll need some music editing and production software to give everything that professional feel and ensure that quality stays high. I also added the TAL Dub II plug-in after the Multi-tap delay plug-in for added effect.Softonic-recensie Produce Music in Style with Acid Pro Note: if you move the delay plug in before (to the left of) the compressor, the delay plug-in will not have the desired effect! In the multi-tap delay plug-in control, select the preset: “ Channel Delay for Stereo Simulation”.Īs illustrated above, I changed the pan setting for each tap (tap 1 and 2) from 100% to 50% Left and Right in each tap. The Multi-Tap Delay effect will be placed after (to the right of) the Compressor in your effect chain in Bus A. Just as we added the SSS Compressor to the Bus, we will assign the built-in Sony Multi-Tap Delay plug-in, which you will find in the “ Sony” folder of your VST browser. We finally have our Ducking effect, but it’s still Mono! The simplest way to emulate a stereo effect is to assign another FX plug-in to Bus A. You’ll notice during playback that the ducking effect itself remains unaffected on the “pad” track and the “kick” track is now inaudible. To adjust the volume of the Carrier track (the kick), open the plug-in chain in Bus A and observe the “ KeyVolume” knob in the compressor window and turn it down completely. When you hit the playback button, you’ll hear the effect at work as the carrier track “Kick” shapes the receiving track “Pad”, thus creating our desired Ducking effect! As you can see, the result is a Mono output in Bus A which has simply been centered.
![acid pro 4.0 reverse acid pro 4.0 reverse](https://www.dercarange.com/wp-content/uploads/2019/03/FaceWash_Box_product-scaled.jpg)
What we have done here, is assigned the roles of both tracks as follows: the “kick” track is now the Carrier and the “pad” track is the Receiver. Pan the track “Pad” 100% to the Left and the track “kick” 100% to the Right as illustrated below.
![acid pro 4.0 reverse acid pro 4.0 reverse](https://patentimages.storage.googleapis.com/0a/26/81/ba39ed5446b5af/imgb0057.png)
To accomplish this, we will pan each of the tracks in opposite Left and Right channels. Seeing as we are emulating the Side Chaining process, we somehow need to differentiate between which of the tracks is the carrier and which is the receiver.
![acid pro 4.0 reverse acid pro 4.0 reverse](https://cyberleninka.org/viewer_images/346397/f/1.png)
Select the “ Pad” track and route it to “ Bus A” by clicking on the blue square button as illustrated in the screenshot. Now that we have assigned the Side Chain Compressor effect to Bus A, we will draw our attention to the two tracks we added to our project earlier. We will adjust the other settings a little later. The Attack is set to 0.1 and the Release set to roughly 200 milliseconds. In the above screenshot, you’ll see I adjusted a few of the plug-in’s settings. Do this by clicking the “ Bus FX” button on Bus A and selecting the Sidechain Comp Mono VST in your 3rd party plug-ins list. Now that we’ve created a new bus for our project we need to assign the SSS Slide Chain Compressor to it. The new bus appears next to the master bus and is labelled “ Bus A” Click the “ insert bus” button in the mixer window. Now we need to create a bus in the Acid Pro Mixer window. I’ll discuss the purpose of the 3rd track (a drumloop) later in the tutorial Add two tracks to your project Ī pad or lead instrument (this track will later be the receiver)Īnd a short kick or short percussive sound (this track will become the carrier or modulator)
ACID PRO 4.0 REVERSE DOWNLOAD
I used the SSS Side Chain Compressor which you can download here for free: Īfter you have downloaded and extracted the SSS compressor to your VST(i) folder, run Acid Pro and start a new project.
ACID PRO 4.0 REVERSE HOW TO
So, what do we do when we encounter such a problem? We improvise and emulate! In this tutorial, I will show you how to create the Ducking effect in Acid Pro by emulating the Sidechain process.įirstly, you will need a Sidechain compressor VST. As an Acid Pro user, I found it a difficult task finding tutorials and methods to achieve this effect, with many producers claiming that it is simply impossible due to Acid Pro’s lack of built in Sidechaining facilities. Ducking or Breathing is a very prominent sound in almost every form of electronic dance music today.